Thursday, January 31, 2008
Thanks for coming out!
Sam Sheridan's reading was a huge success. Thanks so much to all the students, faculty, and staff who braved the weather to be there. (And there were lots of you!) Thanks also to Sam Sheridan for coming, to the fighter Rory Markham for adding to the conversation, to the Howe Military Academy students who joined us, to Heidi Eakins who supplied the wonderful food, to Anne Richmond who makes everything happen, and to Elaine Roth for sacrificing precious sabbatical time to host Sam and Rory this week. Look for photos and coverage of the event, as well as an exclusive interview with Sam to be published in The Preface!
Wednesday, January 30, 2008
Sam Sheridan Reading is ON
I met Sam and his friend Rory, a Milatech fighter from Chicago's south side, and they are both excited to be here, and it should be a great event!
See previous post for additional info.
Thursday, January 24, 2008
Sam Sheridan to read Wed. 1/30
Summary:
Within a year, Sheridan landed in Bangkok to train at the legendary Fairtex gym with the greatest fighter in Thai kickboxing history. Driven by a desire to know what only a fighter can about fear and violence, about the dark side of being a man, and most of all about himself he stepped through the ropes for a professional bout.
That one fight wasn’t enough. Sheridan set out to test himself on an epic journey in the world of fighting. From small-town Iowa to the beaches of Rio, from the streets of Oakland to the arenas of Tokyo, he trained, traveled, and fought with Olympic boxers, Brazilian jiu-jitsu stars, and Ultimate Fighting champions. A Fighter’s Heart is the dazzling chronicle of Sheridan’s quest. In part, it’s an insightful look at violence as a career and as a spectator sport, a behind-the-pageantry glimpse of athletes at the top of their terrifying game. At the same time, it’s a dizzying firsthand account of what it’s like to reach the peak of finely disciplined aggression, to hit and be hit.
Sam Sheridan joined the U.S. Merchant Marines after high school and then attended Harvard College, from which he graduated in 1998. He has written for Men’s Journal and Newsweek. This is his first book.
Thursday, January 17, 2008
Analecta Open Mic TONIGHT
Tuesday, January 15, 2008
Writers' Group is meeting tomorrow
Next Writers' Workshop
Wednesday, January 16th, 7:00, Chris O'Brien's.
New Chicory Time: 4:00!!!
January's Schedule:
One Friday at The Chicory, January 11 at 4:00.
Two Wednesdays at Chris O'Brien's, January 16 and 30, 7:00.
Contact Charmi at: CAKeranen@yahoo.com
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Note to writers' group: Sam Sheridan reads from his memoir A Fighter's Heart on Wed. 1/30. Maybe you can have your meeting there!
Sunday, January 13, 2008
Quote of the Day: Vivan Gornick
Thursday, January 10, 2008
Analecta Open Mic, Thurs. 1/17 @ 6:30
Open Mic next Thursday, 1/17 @ 6:30
Third Floor Lounge, Wiekamp
IUSB student writers are invited to read original fiction, poetry, drama, and creative nonfiction--or just to come listen to the work of others. The event is sponsored by Analecta, our literary journal, and is an extra opportunity to submit your work for this year's issue.
All Analecta submissions will also be considered for the Wolfson and English Department writing awards, which will be judged by this year's featured speaker, Brock Clarke, author of the critically acclaimed novel, An Arsonist's Guide to Writers' Homes in New England.
A Challenge: Gertrude Stein
Gertrude Stein, "What are Master-pieces and why are there so few of them" (1936):
"The tradition has always been that you may more or less describe the things that happen you imagine them of course but you more or less describe the things that happen but nowadays everybody all day long knows what is happening and so what is happening is not really interesting, one knows it by radios cinemas newspapers biographies autobiographies until what is happening does not really thrill any one, it excites them a little but it does not really thrill them. The painter can no longer say that what he does is as the world looks to him because he cannot look at the world any more, it has been photographed too much and he has to say that he does something else. In former times a painter said he painted what he saw of course he didn't but anyway he could say it, now he does not want to say it because seeing it is not interesting. This has something to do with master-pieces and why there are so few of them but not everything."